|
Despina |
Così fan tutte |
Shreveport Opera |
2024 |
|
Clorinda |
La Cenerentola |
Bel Cantanti Opera |
2023 |
|
Die Königin der Nacht |
Die Zauberflöte |
Washington Opera Society |
2022 |
|
Marie |
La Fille du Régiment |
St. Pete Opera |
2022 |
|
Despina |
Così fan tutte |
St. Pete Opera |
2021 |
|
Mimi |
La Bohème |
Private Performance |
2021 |
|
Senator Patrick Leahy |
Gonzales Cantata |
In Series Opera Invision Opera House |
2020 |
|
Violetta |
Cancelled: La Traviata |
Aria Club of Washington DC |
2020 |
|
Micaëla |
Le cabaret de Carmen |
In Series |
2020 |
|
Sophie |
The Devil's Rider (Kalman) |
Ohio Light Opera |
2019 |
|
Mabel |
The Pirates of Penzance |
Ohio Light Opera |
2019 |
|
La Ciesca, Prima Cercatrice |
Gianni Schicchi/Suor Angelica |
St. Pete Opera |
2019 |
|
Galatea |
The Beautiful Galatea (von Suppé) |
Bel Cantanti Opera |
2018 |
|
Zerlina |
Don Giovanni |
St. Pete Opera |
2018 |
|
Fiordiligi |
Così fan tutte |
Oswald Summer Opera |
2018 |
|
Josephine; Veronica; Emma |
The Name on the Door; The Female Stranger; What Gets Kept |
DC Fringe Festival |
2018 |
|
Josephine |
HMS Pinafore |
Opéra Louisiane |
2018 |
|
Tisbe |
Piramo e Tisbe |
Little Opera Theater New York |
2018 |
|
Erste Dame |
Die Zauberflöte |
St. Pete Opera |
2018 |
|
Die Königin der Nacht |
Die Zauberflöte |
Bel Cantanti Opera |
2017 |
|
The Queen of the Night |
The Magic Flute |
Shreveport Opera |
2017 |
|
The Queen of the Night |
The Magic Flute |
The In Series |
2017 |
|
Olympia |
Les Contes d'Hoffmann |
St. Pete Opera |
2017 |
|
Donna Anna |
Don Giovanni |
Mark Oswald Studio Performance |
2017 |
|
Featured Soloist |
The Music of Andrew Lloyd Webber |
Riverside Center Dinner Theater |
2016 |
|
Angelina |
Trial by Jury |
Young Victorian Theater Company |
2016 |
|
Mabel |
The Pirates of Penzance |
Young Victorian Theater Company |
2015 |
|
Featured Soloist |
The Music of Andrew Lloyd Webber |
Riverside Center Dinner Theater |
2015 |
|
Le Feu/Le Rossignol |
L'enfant et les Sortilèges |
Bel Cantanti Opera |
2014 |
|
Yum-Yum |
The Mikado |
Shreveport Opera |
2014 |
|
Eurydice |
Orphée aux Enfers |
Bel Cantanti Opera |
2013 |
|
Countess Ceprano, Page, Gilda (cover) |
Rigoletto |
Shreveport Opera |
2013 |
|
Isabelle/Madeline |
The Face on the Barroom Floor |
Shreveport Opera |
2013 |
|
Rosina (cover) |
Il Barbiere di Siviglia |
Shreveport Opera |
2012 |
|
Encore! |
Princess Cruises |
2023 |
|
Concert of Opera Favorites |
Ward Virts Concert Series: College of Southern Maryland |
2023 |
|
First Fridays @ Boordy Vineyards |
Maryland Opera |
2022 |
|
Gjielo's <i>Dreamweaver</i> |
CoroAllegro (Delaware) |
2021 |
|
Cancelled: J.C. Bach's Gloria in G Major; w E4 |
Helena Symphony |
2020 |
|
A Soprano Gone Mad |
St. Pete Opera |
2020 |
|
Messiah |
Helena Symphony |
2017 |
|
Handel's "Messiah" |
Helena Symphony |
2016 |
|
Manhattan School of Music M.M. Classical Voice Performance 2010
University of Delaware B.M. Vocal Performance 2007
Shreveport Opera Resident Artist 2012/2013
Center City Opera Apprentice Artist 2010/2011
Opera on the Avalon Summer Program 2010
Internationale Sommerakademie Mozarteum Summer 2009
Colorado College Vocal Arts Symposium Summer 2008
"Creating the Dramatic Character for Opera" with Lauren Flanigan 2008
Académie Internationale d’Été Technique/Interpretation Summer 2005 |
|
Voice Teacher: Mark Oswald
Vocal Coaches: Giovanni Reggioli, Robert Wood, Stephanie Rhodes, Jerome Shannon, Michael Ching, Jeffrey Miller, LeAnn Overton, Carrie-Anne Matheson, Kathryn LaBouff, Ken Merrill, Elizabeth Hastings, Glenn Morton, Ken Cooper
Directors: Dean Anthony, Ned Canty, Daniel Helfgot, Rob Herriot, Leon Major, James Harp, Marciem Bazell, Lee Kimball, Christopher Roselli
Conductors: Jerome Shannon, Michael Barrett, Steven Mosteller, Allan R. Scott, Judith Yan, John Yaffé, Brian Stone, Chris Crans, Ken Merrill |
|
Connecticut Opera Idol Finalist 2017
American Prize Semi-finalist 2015
Opera Birmingham Vocal Competition; Semi-finalist 2014
Opera at Florham Violetta DuPont Vocal Competition; Honorable Mention 2013
Austrian-American Society Competition; First Prize Scholarship 2009
Kennett Symphony Voice Competition; Second Prize, 2009
Lansdowne Symphony Youth Auditions; Winner 2008
Austrian-American Society Competition; Roger D. and Louise R. Keeney Award 2008
Barry Alexander International Vocal Competition; Second Prize Winner 2007
Austrian-American Society Competition; Mary L. Danser Award 2007
Eastern Region NATS, Second Place, Senior Women 2007
F. Warren James Award, University of Delaware 2007
E.V. Quigley Music Scholarship, University of Delaware 2003-2007
UD Concerto/Aria Competition, Winner 2005/2006
|
|
Bizet |
Carmen |
Frasquita* |
|
Britten |
Albert Herring |
Miss Wordsworth* |
|
Donizetti |
Don Pasquale |
Norina |
|
Donizetti |
La Fille du Régiment |
Marie |
|
Donizetti |
L'Elisir d'Amore |
Adina |
|
J. Strauss |
Die Fledermaus |
Adele* |
|
Lehar |
The Merry Widow |
Valencienne* |
|
Massenet |
Manon |
Manon, Poussette* |
|
Mozart |
Cosi fan tutte |
Despina* |
|
Mozart |
Die Entführung aus dem Serail |
Konstanze, Blonde |
|
Mozart |
Die Zauberflöte |
Königin der Nacht*, Pamina, Papagena * |
|
Mozart |
Don Giovanni |
Donna Anna* |
|
Musto |
Later the Same Evening |
Valentina* |
|
Offenbach |
Les Contes d'Hoffmann |
Olympia |
|
Offenbach |
Orfee aux Enfers |
Eurydice* |
|
Puccini |
La Bohème |
Musetta |
|
R. Strauss |
Der Rosenkavalier |
Sophie |
|
Rossini |
Il barbiere di Siviglia |
Rosina |
|
Sullivan |
The Mikado |
Yum-Yum* |
|
Sullivan |
The Pirates of Penzance |
Mabel* |
|
Verdi |
Falstaff |
Nannetta |
|
Verdi |
Rigoletto |
Gilda |
|
Weill |
Street Scene |
Rose * |
|
C Minor Mass |
Mozart |
|
Duruflé |
Requiem |
|
Handel |
Messiah* |
|
Haydn |
Lord Nelson Mass* |
|
Matthews |
Missa Brevis |
|
Saint-Saëns |
Christmas Oratorio * |
|
Vivaldi |
Gloria * |
|
|
Tisbe in Piramo e Tisbe
Stephen Jude Tietjen, Opera News
The three artists singing
on March 24 each gave indelible performances that should count among the finest and most complete
interpretations heard in New York this season...As Tisbe, Kelly Curtin sang with a crystal-
clear soprano that was as round and full at the very bottom of her range as it was in some expertly executed stratospheric embellishments. Both she and Gorstein surrendered themselves completely to the
physicality of their roles. |
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